During an experiment for her thesis on public art in Peckham, Sarita noticed that vendors on Peckham Rye Street were discarding unsold fruit. Witnessing this waste accumulation, she took action by asking vendors for the discarded fruit and repurposing it into jam. By offering the jam in exchange for donations, she ensured accessibility across social classes while assigning value to the artwork. This intervention introduced a secondary cash economy, challenging the contemporary gallery system. Utilizing recycled materials, including steel for the trolley, local vendor fruit, and community-collected jars, she prioritized exchange over monetary transactions. Her aim was to immerse viewers on a sensory level, evoking admiration for resourcefulness and adaptability. Reflecting on a mango fruit stand in her hometown of Bogotá, she emphasized the resilience of informal businesses. Learning to weld while crafting her own trolley deepened her respect for these endeavors, underscoring the value of resourcefulness in both art and craft.